| I. Grand-orgue | II. Positif | III. Récit expressif | Pédale |
| Prinzipal 16' | Bourdon 16' | Liebl. Gedackt 16' | Principal 16' |
| Oktave 4' | Principal 8' | Geigenprincipal 8' | Violone 16' |
| Quintatön 16' | Salicional 8' | Viola d’amour 8' | Subbass 16' |
| Principal 8' | Gedact 8' | Flauto trav. 8' | Groß Nasard 10 2/3' |
| Viola da Gamba 8' | Octava 4' | Aeoline 4' | Gemshorn 8' |
| Rohrflöte 8' | Fugara 4' | Fugara 4' | Violoncello 8' |
| Nasard 5 1/3' | Rohrflöte 4' | Flaute, dolce 4' | Octava 4' |
| Octava 4' | Nasard 2 2/3' | Mixtur II–III | Nasard 5 1/3' |
| Gemshorn 4' | Flageolet 2' | Waldflöte 2' | |
| Quinta 2 2/3' | Larigot 1 1/3' | Contraposaune 32' | |
| Superoctava 2' | Decima Quinta 1' | Fagott 8' | |
| Terz 1 3/5' | Mixtur IV | Cornetta 4' | |
| Cornett IV | Fagott 16' | ||
| Progressio harmonica III–V | Fagott und Hautbois 8' | ||
| Trompete Dessus 8' | |||
| Trompete 8' |